Now you can just select the clips you want to look the same, and Resolve will analyze the clips for you and make them match. Imagine if you had multiple scenes that took place in the same location and time, but they didn’t look the same.
When matching shots is necessary, you can save a lot of time with Resolve’s automatic shot matching capabilities. Masks apply color correction to select portions of the image.
#DAVINCI RESOLVE SPECS REQUIREMENT MANUAL#
If you need to make manual adjustments to the tracking, you can switch to the keyframe mode. The tracking is automatic and does an amazing job. Plus, the program can track a mask off screen.
Objects such as a person’s face rotating or a camera panning used to throw a tracked mask off - not any more. Many times, masks are used to help color correct only part of the shot. Resolve’s motion tracking is in a league of its own, and it just got better with 3D tracking capabilities.
#DAVINCI RESOLVE SPECS REQUIREMENT PROFESSIONAL#
Resolve’s ability to fix footage that wasn’t shot right is one reason it has become a go to program for many professional editors. At first glance it might feel overwhelming, but it’s worth investing the time to learn because it can do so much more than the color correction filters in an editing program. Color CorrectionĭaVinci Resolve 12 is a Hollywood-caliber program for color correction. If you want to color correct the video clips in their original format, you can switch them back over to the original files in seconds. You can now convert every clip you are working with to proxy files with little effort, even if you already have clips edited in your timeline. Editing with proxies has never been easier thanks to DaVinci Resolve 12. If you’re working with large file sizes such as 4K or 6K video clips, don’t worry. Although proxy files aren’t exciting, Resolve’s proxy workflow is.
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